The TLS crew gathers around the fireplace to reminisce about the good old days of anthology series and whether these new-fangled, stream-driven anthologies can compete. What sad old-men they are…
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Reality is perception; TLS dissects this idea through the mirror of Akira Kurosawa’s famous and influential Rashomon.
[Aggregate score: 8]
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Taking on the third entry in the tales of master assassin John Wick, TLS decides how on target the latest in series lands.
[Aggregate score: 8]
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With an idea spawned from a drunken encounter, TLS embarks on a path to discern differences between a narrative’s emotional arcs compared to its logical storyline climaxes, as framed through a range of pop culture works.
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TLS investigates a complex web of murders, real estate deals, incest and cover-ups in 1930s Los Angeles. Forget all those other noir films, it’s Chinatown. [Aggregate score: 10]
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Surrounded on all sides, TLS attempts to navigate another genre definition, as well as the games that may fall under it, this time specifically concerning bullets hells and their variations.
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Our Asian martial arts flavored odyssey continues with a stolen statue head in Thailand, and the man determined to get it back at all costs, in Ong-Bak. [Aggregate score: 9]
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Our foreign wanderings bring TLS to the lands of Asia for a review of martial arts flick, Ip Man.
[Aggregate score: 8]
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