In the penultimate MOTS-O-Ween for 2017 and we talk about the left-turn Jason takes from Crystal Lake to outer space in “Jason X.” It’s been 450 years and all he wants is his machete back.
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MOTS-O-Ween examines the past, present 90s and future of a toy maker’s family and the puzzle box that summons Hell in the Alan Smithee classic “Hellraiser: Bloodline.” In space no one can hear you not finish your film.
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MOTS-O-Ween hops into a hypercube to ponder the tesseracts of characters, dimensions of script, and entropy of plot.
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MOTS-O-Ween takes a left-turn into a wall as we count the reasons to avoid “Leprechaun Back 2 Tha Hood.” There’s no gold at the end of this rainbow.
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MOTS-O-Ween continues its journey into the absurd with beer, boomsticks and Bruce Campbell in our discussion of Sam Raimi’s “Army of Darkness” (aka “Bruce Campbell vs the Army of Darkness” aka “Army of Darkness: The Medieval Dead”).
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Join MOTS Ado as we take a walk with the body politic in Clive Barker’s “In the Hills, the Cities.”
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The Lost Signals presents MOTSterpiece Theater. Tonight’s episode features #14 on the AFI 100, Alfred Hitchcock’s Psycho. A review to be murdered by. [Aggregate score: 10]
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SE caps off with the traditional seasonal salute to horror, this year framed via an article that melds aspects of neuroscience with survival horror design.
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10/9/2017
A threesome of MOTS minds gathers to discuss a threesome of artificial intelligences and many other standout elements from Blade Runner 2049, the long-awaited sequel to the highly influential original.
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