Categories will get pulled under Archives once the season is over.
12/11/2017
The MOTS crew tackles the (in)famously so bad it’s good “The Room,” coming up with some interesting interpretations on the nature of this bizarre yet beloved film.
[Aggregate score: 3.75]
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12/04/2017
MOTS flashes back to high school circa 2002 in their review of Lady Bird, an expertly crafted and presented coming-of-age tale.
[Aggregate score: 10]
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11/27/2017
The gang tackles the challenging, darkly humorous, and scathing Three Billboards Outside Ebbing, Missouri.
[Aggregate score: 9.3]
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11/22/2017
Rich, Louie and Chris bring their long tradition of DCEU critiques to MOTS in their review of “Justice League.” It’s also the second DCEU film in a row we didn’t even have to rewrite!
[Aggregate score: 6.6]
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11/20/2017
MOTS checks out the Netflix original Mudbound, a compelling drama centered on two southern American families and their struggles during the WWII era.
[Aggregate score: 9]
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11/6/2017
MOTS heads for the land of ice and snow to grapple with the latest MCU entry, Thor: Ragnarok.
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MOTS finally catches up with the sleek and ‘oppressively stylish’ Edgar Wright flick, Baby Driver. Were we slow?
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For this year’s MOTS-O-Ween finale we take a look at “Halloween III: Season of the Witch,” the left-turn sequel that inspired this year’s theme. Michael Myers sat this one out, and instead we’re given a candy bag full of robot assassins in business suits, Stonehenge core processors, masks to die for, medical mustaches, catchy jingles and a joke on the children.
Happy Halloween!
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In the penultimate MOTS-O-Ween for 2017 and we talk about the left-turn Jason takes from Crystal Lake to outer space in “Jason X.” It’s been 450 years and all he wants is his machete back.
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MOTS-O-Ween examines the past, present 90s and future of a toy maker’s family and the puzzle box that summons Hell in the Alan Smithee classic “Hellraiser: Bloodline.” In space no one can hear you not finish your film.
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